Writing historical mysteries is a juggling act. Writers must create a fictional plot with fictional characters around a historical time period with real people . . . and somehow suspend the readers’ disbelief.
Many writers of historical fiction choose a particular time period and stay with it. I’m thinking Anne Perry, Phillipa Gregory, Charles Todd. I, on the other hand, am intrigued by so many time periods, I skip around. Each of my mysteries takes place in a different place and time, which enables me to do the thing I love most: research. The risk, of course, is that I will know only a little about each time period as opposed to Anne Perry who knows a great deal about Victorian England.
Once I settle on a time period, I read and read and read about it. I visit the places in question, interview experts, historians, and read and read and read some more. By this time, I usually have a kernel of an idea for the plot and maybe even a character sketch or two.
Building fictional characters around authentic ones is key. Unless your character is transported from modern times to the past, he/she must act, speak, dress like the time period. In using real people from the time period, they must be as genuine to history as I can make them.
As the story develops and takes twists and turns on its own, I find I am bending the truth a bit – creating an “alternate history.” This is fiction, after all. My latest book, PURE LIES is a totally new take on history. It’s about the witch trials of Salem, Massachusetts, in 1692 and provides a different motivation for the girls’ hysteria. The backdrop and many characters are authentic, but the storyline meanders from what we know to be historically accurate.
The questions I ask take the form of “what if” and I let my imagination run free. It’s a rare writer that can devise a plot line that hasn’t already been done. But even a clichéd plot can be made new and fresh with unique spins, powerful characters, and exceptional prose.
As I read and re-read PURE LIES, I realize I have altered history to fit the story. That’s the advantage of fiction. And its strength.
It worked – PURE LIES won the San Diego Book Award for Best Mystery!