by Lynne | Dec 14, 2015 | Uncategorized
When it started, World War I was predicted to last only a few weeks. (The same was true of the Civil War, by the way.) Instead, by December of 1914, WWI had already claimed nearly a million lives. In fact, over fifteen million died in a war that dragged on for four miserable years.
But a remarkable thing happened on December 24, 1914. The front fell silent except for the singing of Silent Night. A truce! There are many examples of truces during wars, but none as famous as this one. The Christmas Truce of 1914.
In the Ypres region of Belgium on Christmas Eve, guns stopped, leaving a deathly silence across the fields. Then suddenly the British watched in astonishment as Germans began to set tiny trees along their trench lines. Soon a familiar tune with unfamiliar words carried across No Man’s Land, the battered and desolate space between the enemies. Silent Night. Stille Nacht.
Soon the British were singing along with the Germans. Soldiers on both sides crawled out of their trenches to meet in the middle and greet their enemy. They exchanged cigarettes and souvenirs. Perhaps a drink or two. And they collected their dead and wounded, carrying them back to their respective sides.
Peace for the day. Only one day because the next day they were back killing each other. Is there something wrong with this picture?
The story of the Christmas Truce came to my attention after reading the non-fiction, To End All Wars: A Story of Loyalty and Rebellion, 1914-1918, by Adam Hochschild, an amazing story of WWI. I highly recommend. http://www.amazon.com/End-All-Wars-Rebellion-1914-1918/dp/B008PIC0T8/ref=sr_1_1?s=books&ie=UTF8&qid=1356046840&sr=1-1&keywords=to+end+all+wars
I’ll leave you with this thought. If Christmas can bring together mortal enemies for a day, why not for a week, a month, a year or longer? Or forever?
I hope you click on the youtubes below. They will make you sad and happy but most of all hopeful. Wishing you a happy holiday and a prosperous and healthy New Year.
Belleau Wood: Christmas Truce by Garth Brooks. http://www.youtube.com/watch?v=Xy9lg0aAhlE
Christmas Truce 1914, Music with captions to tell the story. http://www.youtube.com/watch?v=qsCpLMPI7IY
Behind the Christmas Story: The Christmas Truce http://www.youtube.com/watch?v=mgLcvjA8NDk
Christmas Truce of 1914. http://www.youtube.com/watch?v=p05E_ohaQGk
by Lynne | Dec 8, 2015 | Uncategorized
For my blog this week, I thought I’d spotlight one of my favorite humorists, Ogden Nash. For those of you unfamiliar with this witty poet, he is often remembered for his short but clever poems such as:
“The trouble with a kitten is that. . . eventually it becomes a cat.”
Or: “Candy is dandy, but liquor is quicker.”
So in honor of the coming holidays, here is:
“The Boy Who Laughed at Santa Claus.” Enjoy.
In Baltimore there lived a boy,
He wasn’t anybody’s joy.
Although his name was Jabez Dawes,
His character was full of flaws.
In school he never led his classes,
He hid old ladies’ reading glasses,
His mouth was open when he chewed,
And elbows to the table glued.
He stole the milk of hungry kittens,
And walked through doors marked No Admittance.
He said he acted thus because
There wasn’t any Santa Claus.
Another trick that tickled Jabez
Was crying “Boo!” at little babies.
He brushed his teeth, they said in town,
Sideways instead of up and down.
Yet people pardoned every sin,
And viewed his antics with a grin,
Till they were told by Jabez Dawes,
“There isn’t any Santa Claus!”
Deploring how he did behave,
His parents swiftly sought their grave.
They hurried through the portals pearly,
And Jabez left the funeral early.
Like whooping cough, from child to child,
He sped to spread the rumor wild:
“Sure as my name is Jabez Dawes
There isn’t any Santa Claus!”
Slunk like a weasel or a marten
Through nursery and kindergarten,
Whispering low to every tot,
“There isn’t any, no there’s not!”
The children wept all Christmas Eve
And Jabez chortled up his sleeve.
No infant dared to hang up his stocking
For fear of Jabez’ ribald mocking.
He sprawled on his untidy bed,
Fresh malice dancing in his head,
When presently with scalp a-tingling,
Jabez heard a distant jingling;
He heard the crunch of sleigh and hoof
Crisply alighting on the roof.
What good to rise and bar the door?
A shower of soot was on the floor.
What was beheld by Jabez Dawes?
The fireplace full of Santa Claus!
Then Jabez fell upon his knees
With cries of “Don’t,” and “Pretty please.”
He howled, “I don’t know where you read it,
But anyhow, I never said it!”
“Jabez,” replied the angry saint,
“It isn’t I, it’s you that ain’t.
Although there is a Santa Claus,
There isn’t any Jabez Dawes!”
Said Jabez with impudent vim,
“Oh, yes there is; and I am him!
Your magic don’t scare me, it doesn’t”–
And suddenly he found he wasn’t!
From grimy feet to grimy locks,
Jabez became a Jack-in-the-box,
An ugly toy with springs unsprung,
Forever sticking out his tongue.
The neighbors heard his mournful squeal;
They searched for him, but not with zeal.
No trace was found of Jabez Dawes,
Which led to thunderous applause,
And people drank a loving cup
And went and hung their stockings up.
All you who sneer at Santa Claus,
Beware the fate of Jabez Dawes,
The saucy boy who mocked the saint.
Donder and Blitzen licked off his paint.
Ogden Nash
by Lynne | Nov 30, 2015 | Uncategorized
Chapter endings are as important as beginnings. Read the endings of your chapters. Go ahead. Are they riveting? Are you anxious to turn the page? Will your readers be? Take a closer look at the ho hum ones and begin to focus on endings that would compel a reader to keep going.
I skimmed through some books to see how those authors ended their chapters. Here’s one from Deception Point by Dan Brown. “Rachel felt weightless for an instant, hovering over the multimillion-pound block of ice. Then they were riding the iceberg down – plummeting into the frigid sea.” The reader is not likely to put the book down at this point, at least until they find out what happened to Rachel and her friend. Brown could have ended with something like: “Rachel stood motionless on the block of ice and prayed the block wouldn’t fall into the sea.” Nah.
Here’s another. “Emergency Room. Code Blue. Susan ran for the elevator.” This is from Chelsea Cain’s The Night Season. What if Cain had stopped at Code Blue? Would it have the same impact as her running for the elevator?
I believe this idea of compelling endings is not only important for fiction but for non-fiction as well. Take Laura Hillenbrand’s Unbroken: “Sometime that day, or perhaps the day before, he had taken off his uniform, picked up a sack of rice, slipped into the Naoetsu countryside, and vanished.” Vanishing, dying, running, falling, are all great ways to end a chapter on a high, cliffhanger note.
How about this from my mystery, Time Exposure: “As he sank to his knees, he lifted his head to gaze up at the Blackhawk. Captain Geoffrey Farrell smiled down at him. A boot to the head put him out.” Or this from Pure Lies, in the form of dialogue: “Well, you may be nuts and I wouldn’t testify to this in court, but between you, me and the microscope, honey, these signatures were all written by the same person.”
Scene endings can follow this rule to some extent, but it might get tiresome if every scene did. I think you have to let the reader rest once in a while and catch up with the action.
Not all chapter endings must end on an action note either. Many can end with inner conflict or conflict between characters. Gives the chapter tension. What happens between these two people next? Does Anna May leave her husband? Does mom throw Maynard out of the house? Does little Davey start to cry? Is Barbara in danger of being fired, of losing her health insurance, of missing a plane to an important event? If you care about the characters, you will turn the page.
I’d love to hear some chapter endings you think are great . . . or terrible. When we can recognize what works and what doesn’t, our writing benefits in the long-run.
by Lynne | Nov 23, 2015 | Uncategorized
Here are seven interesting facts about our national holiday. As a history buff, I found these interesting. Hope you do too.
Every year on the island of Alcatraz an “Unthanksgiving Day” has been held since 1975. It commemorates the survival of Native Americans following the arrival and settlement of Europeans in the Americas.- The turkeys depicted in Thanksgiving pictures are different from the domestic turkeys most people eat at the holiday. Domestic turkeys often weigh twice as much and are too large to fly.
Every Thanksgiving, a group of Native Americans and supporters gather on Cole’s Hill in Plymouth, MA to commemorate a National Day of Mourning. See plaque left.- Since Abraham Lincoln proclaimed Thanksgiving a national holiday in 1863, Thanksgiving has been annually observed. Various earlier presidents, including George Washington, John Adams and James Madison, all urged Americans to observe various periods of thanks giving.
- Established in 1924, the Macy’s Thanksgiving Day Parade ties for second (with America’s Thanksgiving Parade in Detroit) as the oldest Thanksgiving parade. The Philadelphia Thanksgiving Day Parade is the oldest.
- Not all states were eager to adopt Thanksgiving because some thought the national government was exercising too much power over the states. Also, southern states were hesitant to observe what they considered largely a New England practice.
- In 2001, the U.S. Postal Service issued a Thanksgiving stamp to honor the tradition of being thankful for the abundance of goods we enjoy in America.
If you’re interested, here is a list of misconceptions or myths about Thanksgiving. http://historynewsnetwork.org/article/406
Enjoy the holiday now that you know a bit of its history!
by Lynne | Nov 17, 2015 | Uncategorized
The dictionary defines conflict as “a struggle or an opposition.” Conflict comes from the Latin word for “striking,” but it isn’t always violent. Conflict can arise from opposing ideas. But conflict, in any form, is essential for your story.
Characters must struggle with conflict, even in a simple form. If your character is torn between two different desires, say, marrying a woman who lives in Boston, but dying to take a job offer in Saskatoon (where is that, anyway?) he’s conflicted.
Conflict is key to your characters’ relationships. If everyone gets along beautifully and there are no differences of opinions, arguments, debates, fisticuffs . . . no screaming, pulling hair, beating up or murdering someone, well, there’s not much conflict. And not much interest.
Conflict can occur within a person’s mind. This is the most interesting of conflicts and defines the character’s character, if you will. When a character confronts another character, there is drama. When a character confronts his/her own self, there is drama plus. Now, the stage is set for future interactions with everyone he/she meets.
In The Triangle Murders, my protagonist, Frank Mead is overwhelmingly conflicted about his relationship with his daughter, whom he feels he has abandoned after his wife’s suicide. The daughter feels similarly. However, circumstances bring the two of them together, creating not only conflict, but often tension. There is great strain between them and the reader must wonder if it will ever be resolved.
Emotions play a large role in portraying a character’s conflict. If a character keeps his emotions hidden, any conflicts he faces may stretch these hidden emotions to a breaking point. As a reader we need to know what’s happening in his head–how this conflict is affecting him. We also need to see how it manifests itself in his behavior. Do serious money problems cause him to drink more, beat his wife and kids, or retreat further into himself? How your character handles conflict makes him unique . . . or not. Unique is better, by the way.
Conflict between characters can take many forms. It can be job-related, school-related, socially-related, sexually-related, family-related, or other-related. Often all. However, too many conflicts in too many places can cause the reader to get worn out. Give your character, even a cranky one, at least one amiable relationships, even if it’s with another cranky character, please, or we won’t like him very much.
I like to find new ways to help my characters resolve their conflicts. For instance, in Frank’s case above, he enlists his daughter’s help to solve an ancient murder. They form a tentative truce to accomplish this, which may, or may not, last into another book.
My advice is to maximize the use of conflict in your story. It is a great tool to keep readers turning the page.
As always, I welcome your feedback.
by Lynne | Nov 10, 2015 | Uncategorized
With the new movie, The Suffragette, now in theaters, I’ve resurrected this blog, which is reminiscent of the time and circumstances of one of the most infamous tragedies in U.S. history.
The Triangle Factory fire in 1911 was the deadliest workplace disaster in NYC before 9-11. It was significant not because 146 workers died, but because it instigated reform. At the time workplace safety was barely regulated and rarely thought about . . . except, perhaps, by the workers themselves. Other workplace disasters had occurred in the past and would again in the future. So why was the Triangle different?
One reason was a woman named Clara Lemlich. In my novel, The Triangle Murders, she appears as a feisty young woman who wanted to better the plight of the garment workers. Indeed, she was. In my novel she is beaten by a gang of thugs and rescued by Cormac Mead. (In truth, she was beaten but not rescued by Cormac or any other policeman.)
Clara Lemlich, a skilled draper and member of International Ladies’ Garment Workers’ Union Local 25, encouraged interested shirtwaist makers to meet secretly with the union and the Women’s Trade Union League to discuss workers’ needs and the union’s goals. Despite the risks, many went on strike in September, 1909. In an attempt to satisfy some workers, Triangle owners Max Blanck and Isaac Harris formed the “Triangle Employees Benevolent Association” a company union, and installed relatives as officers. They also announced that any employee who supported ‘another union’ would be fired.
Photographer: unknown, 1909 Photo courtesy the Kheel Center, Cornell University: http://www.ilr.cornell.edu/trianglefire/primary/photosIllustrations/slideshow.html?image_id=842&sec_id=12#screen
Clara worked as a draper at Leiserson’s waist factory. She told stories of how workers were followed to the restroom and hustled back to work, lest they steal some fabrics. She relayed how workers were persistently shortchanged on their pay and sometimes even charged for the use of materials, such as thread. And, at the day’s end, they lined up a single unlocked door to be searched before they exited.
Clara had had enough. In 1906, along with several other women, she joined the ILGWU, the International Ladies’ Garment Workers’ Union. Together they formed Local 25, to serve female waist makers and dressmakers. (A shirtwaist, by the way, is a blouse–see Clara wearing one in photo.) In many ways, they had to fend for themselves, for men in the unions did not take them seriously.
Clara was instrumental in organizing the female workers from shop to shop to strike for better working conditions. In The Triangle Murders, you get a glimpse of what one of the strike was like with prostitutes and thugs hired to harass the garment workers.
I have no doubt that Clara, as well as Fiona, my fictional character, were marching for the women’s right to vote alongside Helena Bonham Carter, Meryl Streep and Carey Mulligan.
But a remarkable thing happened on December 24, 1914. The front fell silent except for the singing of Silent Night. A truce! There are many examples of truces during wars, but none as famous as this one. The Christmas Truce of 1914.
