Time Exposure is a mystery that takes place during the Civil War.  I wanted readers to abandon the present and immerse themselves in those brutal, tumultuous years of the mid-nineteenth century.  Scene by scene, chapter by chapter.   Well, I wasn’t there, so how could I paint a picture of that time period, accurately, vividly, and with painstaking detail?

Research, of course, but research using primary sources whenever possible.  What does that mean?  There are many books written about the Civil War.  About the battles, about the people, about the politics — the operative word being “about.”   These sources are written today by historians looking back in time.  I wanted to go back there myself.  How?

Primary sources are the ones that deliver the information firsthand.  Photographs are an excellent way to learn about the past.  In my case, tens of thousands of Civil War photographs are available, yes, through books and online, but also at the Library of Congress, where there are drawers upon drawers filled with folders of photos taken back then.  The originals, if you can imagine!

Other primary sources of an historic period are letters or journals.  Using the Civil War as an example, there are books of letters to and from soldiers and their loved ones.  If you use credible authors, ie: Ken Burns, you can be sure these are the true words of the people of the time.  If you are really lucky, you may be able to track down a diary written from the time period.  A friend of mine’s ancestor was a soldier in the War and he passed down some interesting paraphernalia (no journal, unfortunately.)

Very important primary sources are books written by someone of the time period.  An example, which helped me shape my scene at the Union Hotel Hospital, was a precious thin book called Hospital Sketches, by Louisa May Alcott.  Louisa May was actually a minor character in my book.  If you ever wondered what it would be like to volunteer as a nurse in a hospital during the Civil War, listen to Louisa May:

“My three days experience had begun with a death, and, owing to the defalcation (I had to look this one up!) of another nurse, a somewhat abrupt plunge into the superintendence of a ward containing forty beds, where I spent my shining hours washing faces, serving rations, giving medicine, and sitting in a very hard chair, with pneumonia on one side, diphtheria on the other, two typhoids opposite, and a dozen dilapidated patients, hopping, lying and lounging about, all staring more or less at the new ‘nuss,’ who suffered untold agonies, but concealed them under as matronly as a spinster could assume, and blundered through her trying labors with a Spartan firmness, which I hope they appreciated, but am afraid they didn’t.”

From this one simple paragraph, I learned about the hospital, the patients, the illnesses and Louisa May’s (and other nurses’?) attitude toward them all.

In addition to Louisa May Alcott’s writings, I examined photographs, I read letters, poems and the words of songs written during the time.  As I kept reading, I got a feel for the rhythm of speech of the period.  I learned some of the basics: what the people of the time ate, drank, smoked, what they wore, how they amused themselves when they weren’t killing each other on the field, what their sex lives were like (there are some bawdy postcards out there!)  Essentially, I learned how they lived and, sadly, how they died.

Bottom line: If you write historical stories, (or even modern stories about places you’re not familiar with,) what you don’t know can hurt you.  The best way to find out what things were really like, is to do your research through the eyes of those who lived it.

There are no shortcuts.  Ideas welcome.